英美文学高手进来帮忙翻译一下啊!!(特别是对喧哗与骚动熟悉的)

<喧哗与骚动》的叙事结构可分为两个层次,一是故事时间、空间的不断转换交错,一是多个叙述者多角度的叙述者的叙述:小说的前三章,叙述者本身就被叙述着,同时又是小说的主人公,因此前三章的叙述带有强烈的主观色彩。很多人认为班吉的叙述是客观的,可靠的,事实上固然班吉的叙述可信,其中表现出的感情色彩还是非常突出的,就是对过去的强烈留恋,昆丁和杰生部分更不必多说。迪尔西部分和附录可视为对前三章“混乱”的一种整理,给整个作品一个“秩序” 很难设想如果没有迪尔西部分,《喧哗与骚动》是个什么样子,读者很多可能得到的只是一大堆互不关联的事件的堆积。
《喧哗与骚动》采取了第一人称有限视角和第三人称全知全能视角。小说的前三章是第一人称有限视角,在前面三章里,与其说叙述的是事件,不如说叙述的是人物对事件的反应。第四章是第三人称是全知全能视角,叙述的中心是迪尔西,这一部分是典型的叙事(1elling),有了第四章和附录部分,《喧哗与骚动》似乎容易理解了些,在这部小说中作者变换多种叙事角度,使不同的叙事者带着各自不同的眼光来观察和叙事,完成了对美国南方一个古老家族分崩离析的悲惨命运的多维透视。

PS:不要翻译机翻译的,如果好,再加100分啊!

《Clamor and disturbance 》of recount structure can is divided into two layer, one is story time, space continuously conversion interleave, one is several narrator many the narrator of angle of describe:Ex-3 of the novel, narrator is describe, in the meantime again is novel of host Mr., so ex-3 of describe take to have mightiness of subjective color.The many people think describe of a class of Ji to be objective, credibility of, in fact surely class Ji of describe can letter, among them performance of affection color still very outstanding of, be rightness past of mightiness reluctant to part with, the Kun D and hero living part don't even much say.Di Er the west cent and the appendix can be regarded as to three ex-"confusion" of a kind of sorting, can hardly conceive for the whole"order" with a work if have no Di Er the west cent, 《clamor and disturbance 》BE what appearance, the reader is a lot of may get of just a lot of with each other not pile up of the affairs of connection.
《Clamor and disturbance 》adopted the limited angle of view of the first person with three people call the omniscience omnipotent angle of view.Ex-3 of the novel are the limited angle of view of the first person, fore the noodles be three inside, with it say describe of is an affairs, not equal to say describe of is a person to respond affairs.Chapter 4 is three people to call to be an omniscience omnipotent angle of view, describe of the center be the west of Di Er, this part is typical model of recount(1 elling), there are chapter 4 and appendix part, 《clamor and disturbance 》seem to be easy comprehension some, in this novel author transformation variety recount angle, make dissimilarity of recount take respectively dissimilarity of taste to observation and recount, completion to the United States south a thou the old household disintegrate of pathetic destiny of many Wei see through.
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第1个回答  2008-05-16
你可以试试GOOGLE的翻译软件
虽然不是很准确,但是你用它翻译了,可以自己在修修就行了
第2个回答  2008-05-16
Sound and the Fury: the narrative structure can be divided into two levels, first story time and space of the conversion staggered First, a number of multi-narrator describes the narrator's point of view: the novel Qiansan Zhang, the narrator describes itself was With, but also the hero of novels, Qian Sanzhang narrative with a strong subjective. Many people think that the Bangui narrative is an objective, reliable, in fact credible narrative of course, Bangui, which show the emotional or very prominent, is a strong nostalgia for the past, Quentin and some of them do not have health - More than that. Dier Xi and appendix can be considered as part of the Qiansan Zhang "confusion" as a finishing, the entire works of a "order" It is hard to imagine if there is no part of Dier Xi, "Sound and the Fury" is what way, many readers may be A lot are not only linked to the accumulation of events.
"Sound and the Fury" to take the first-person perspective and limited third-person perspective Quanzhiquanneng. Novels Qiansan Zhang is the first person limited perspective, in front of three chapters, the incident is described in more than describe the figures of the incident response. Chapter IV is the third person is Quanzhiquanneng perspective, the narrative is the center of Dier Xi, this is a typical part of the narrative (1 elling), a part of the fourth chapter and appendix, "Sound and the Fury" it seems easy to understand something in this The author of the novels in a variety of narrative point of transformation, so that different narrative, with its own vision to observe and narrative, completed the American South of an ancient family disintegration of the tragic fate of the multi-dimensional perspective
你参照一下吧.随便翻的
第3个回答  2008-05-16
楼上的.....你自己读读你翻的东西额,明显是从翻译网站上抄的,每一句话都接不上另外一句....这个肯定是不行的....虽然我住在美国,但是我还只是个初中生,还不能翻译的很好额,但是我建议还是别用楼上的翻译,你肯定拿不到分的
第4个回答  2008-05-18
第5个回答  2008-05-18
《Sound and the Fury》, "the narrative structure can be divided into two levels, first story time and space of the conversion staggered First, a number of multi-narrator describes the narrator's point of view: the novel Qiansan Zhang, the narrator itself was The narrative, is also the hero of novels, Qian Sanzhang narrative with a strong subjective. Many people think that the Bangui narrative is an objective, reliable, in fact credible narrative of course, Bangui, which show the emotional or very prominent, is a strong nostalgia for the past, the Health-Quentin and some of them do not have to More than that. Dier Xi and appendix can be considered as part of the Qiansan Zhang "confusion" as a finishing, the entire works of a "order" It is hard to imagine if there is no part of Dier Xi, "Sound and the Fury" is what way, many readers may be A lot are not only linked to the accumulation of events.
"Sound and the Fury" to take the first-person perspective and limited third-person perspective Quanzhiquanneng. Novels Qiansan Zhang is the first person limited perspective, in front of three chapters, the incident is described in more than describe the figures of the incident response. Chapter IV is the third person is Quanzhiquanneng perspective, the narrative is the center of Dier Xi, this is a typical part of the narrative (1 elling), a part of the fourth chapter and appendix, "Sound and the Fury" it seems easy to understand something in this The author of the novels in a variety of narrative point of transformation, so that different narrative, with its own vision to observe and narrative, completed the American South of an ancient family disintegration of the tragic fate of the multi-dimensional perspective