高分帮忙翻译

Question

本人承诺！翻完再加100分！

二，叙述角度：《女勇士》具有强烈的女性主义叙事立场,书中塑造了一系列的中国及华裔女性形象, 记录了华人/裔女子在中国传统父权社会和美国白人主流社会里打破沉默、寻求自我的决心和勇气. 纵向上看《女勇士》，汤亭亭在叙事结构安排上颇费心思，本书以“我”听无言姑姑的故事开始，到对英雄花木兰的幻想，对母亲勇兰的崇敬，最后讲到被匈奴掳掠至蛮夷之地的蔡淡在沉默数年后骤然爆发，唱出自己心声为结束。这也正是文中“我”的成长历程，形象地揭示了第二代美国华裔女性奋力冲破传统文化对她们思想的禁锢与束缚，最终在两种文化的碰撞中寻找到真实的自我，勇敢地融人到美国社会的艰辛过程。《女勇士》一书中，突破了以往的华人/华裔男性自传传统，以第一人称女性叙述者为中心，塑造了一群性格各异的女性形象，显示出汤亭亭在探寻与重建华裔女性传统方面的努力。无名姑妈、花木兰、母亲勇兰、姨妈月兰、学校里沉默的华裔女孩、蔡淡等这些女性各自体现了叙述者坚韧、叛逆、脆弱、绝望等不同的性格侧面，这些女性帮助叙述者发泄了现实中的压抑情感，使她找到了作为一名亚裔女性所应当立足的位置和能够平静或平衡地面对现实的方式。因此，《女勇士》里的“我”是一个多重的我，挑战了传统意义上自传叙事主体是一个个体的概念，通过塑造这些性格各异的华人/华裔女性形象。族裔女性间的情感纽带把传统自传转化成为一种“关系式”(relational)的自传写作，写作主体立足于女性群体进行写作，而不是一个封闭的、独立的自我，具有强烈的女性言说色彩。
不要用翻译软件！
翻译好了给你500分！

Answer 1

楼上的两位都是机译加修改的吧，不是很通顺。
还有，楼主，书里那个人叫“蔡琰”，不是“蔡淡”，你可能打错字了。

我自己翻译的，希望对你有帮助。

Secondly, the Narrative Angle: The Woman Warrior, with a strong feminist narrative standpoint, builds up a series of Chinese and ethnic Chinese female image. It records the Chinese and ethnic Chinese women’s determination and courage to break silence and seek for themselves in the traditional Chinese patriarchal society and the American whitey mainstream society. Tang Tingting, the writer of The Woman Warrior, thinks a lot about the narrating structure. This book begins when “I” am listening to my aunt’s story, then talks about the imagination of the heroine Hua Mulan, the respect for the mother Brave Orchid, and finally Cai Yan’s sudden burst after keeping silent for many years when she was high jacked to the wild and woolly place by Hun, and ends with the voice of her heart. This is also the way how “I” grow up in the book. It vividly shows the strenuous and painstaking process how the second generation of the Chinese-American women struggles to break the durance and slip the leash from the traditional culture and ultimately they find the real self in the collision of two cultures and bravely enter into the American society. The Woman Warrior, different from the old traditional Chinese and ethnic Chinese male autobiography, is narrated in the first person by a female narrator. It shaped a group of female images with various characters, showing the efforts of Tang Tingting on the exploration and reconstruction on the tradition of Chinese women. Those female persons, No Name Aunt, Hua Mulan, Mother Brave Orchid, Aunt Moon Orchid, the silent Chinese girl at school and Cai Yan, reflect the side of narrator’s characters, like fortitude, rebelling, frailty and hopeless, help the narrator release her pent-up emotions in the real society and find her the proper foothold as an ethnic Chinese woman and the peaceful, balanced way to face the reality. Therefore, the multiple “I” of The Woman Warrior challenge the way that the main character of autobiography is individual. By creating these different Chinese and ethnic Chinese female images, their affection-tie turns the traditional autobiography into a relational autobiography. Rather than a closed and independent self, this writing, based on the female, possesses a strong female lingual color.

Answer 2

Second, the narrative point of view: "Woman Warrior" has a strong feminist narrative position, in the shape of a series of ethnic Chinese women and the image of a Chinese record / woman in Chinese traditional patriarchal society and the U.S. mainstream white society to break the silence , To seek self-determination and courage. Vertical perspective, "Woman Warrior" and Maxine Hong Kingston in the narrative structure arrangements Pofei thinking, this book to "I" speechless aunt listen to the story, the hero to the illusion of Hua Mulan, Mother-Yong-esteem, the last being referred to Hun Lulue Man Yi Tsai place in silence a few short years after the outbreak of a sudden, his voice calling out to the end. This is the text of the "I" grew up, the image reveals a second-generation Chinese-American women struggling to break through the traditional culture of their ideological shackles of the detention and, ultimately in the collision of two cultures to find the true self, bravely Rong people to the painstaking process of American society. "Woman Warrior," a book, breaking the previous Chinese / Chinese traditional male autobiography, first-person female narrator as the center, shaping the character of a group of women of different image, showing that the Hong Kingston in the Exploration and reconstruction of traditional Chinese women The effort. Unnamed aunt, Mulan, the mother-Yong, aunt-lan, schools silent ethnic girls, these women, such as desalination Cai their resilience reflects the narrator, treason, vulnerability and despair, and so different from the character of the side, these women help narrator Vent the reality of suppressed emotion, so that she found as an Asian-American females should be based on the location and to calmly face the reality or balanced way. Therefore, the "Woman Warrior" in the "I" is a multiple of me, challenge the traditional sense, autobiographical narrative is a mainstay of the concept of the individual, through the shaping of these different character of the Chinese / Chinese female image. Inter-ethnic women's emotional ties to traditional autobiography transformed into a "relationship" (relational) autobiography writing, writing based on the main groups of women writing, rather than a closed, self-independent, with a strong statement that the female color .

Answer 3

二.Narration angle :"Female Brave warrior" had the intense feminine principle narrative standpoint, in the book has molded a series of China and the Chinese feminine image, has recorded the Chinese people/lineage female breaks the silence in the Chinese tradition father right society and in the American Caucasian mainstream society, to seek the self-determination and the courage. On longitudinal looked that "Female Brave warrior", Maxine Hong Kingston quite takes a lot of care in the narrative structure arrangement, this book listens to the taciturnity paternal aunt's story start by “me”, to the heroic Hua Mu Lan's fantasy, to the mother brave blue respect, talked about is plundered by the Hsiungnu to yi place Cai Dan silenced several years later erupts, sings the aspiration is the conclusion suddenly finally. This is also precisely in the article “I” the growth course, promulgated the second generation of Chinese-American female to break through the traditional culture furiously vividly to their thought imprisonment and the fetter, really sought finally in two culture's collisions to, bravely melts the human to the American society's difficult process. "Female Brave warrior" in a book, broke through the former Chinese people/person of Chinese descent masculine autobiography tradition, take the first person feminine relator as the center, has portrayed the feminine image which crowd of dispositions vary, demonstrated Maxine Hong Kingston was inquiring about with reconstructs the Chinese feminine tradition aspect the endeavor. The nameless aunt, Hua Mu Lan, the mother brave orchid, in the mother's sister month orchid, the school silences the Chinese girl, Cai Dan and so on these females manifested the relator to be tenacious respectively, the rebel, frail, despaired and so on different disposition side, these females helped the relator to give vent to the reality to constrain the emotion, caused her to find has taken the position which an Asian female must base and can tranquilly or balanced facing the reality way. Therefore, "Female Brave warrior" in “I” am multiple I, has challenged in the traditional significance the autobiography narrative main body is an individual concept, through portrays the Chinese people/person of Chinese descent feminine image which these dispositions vary. Emotion link between the ancestors female's transforms into the traditional autobiography one kind “the relationship” the (relational) autobiography writing, the writing main body bases in the feminine community carries on the writing, but is not a seal, independent, has the intense female to speak the color.

Answer 4

Second, narration angle: "Female Brave warrior" had the intense feminine principle narrative standpoint, in the book has molded a series of China and the Chinese feminine image, has recorded the Chinese people/lineage female breaks the silence in the Chinese tradition father right society and in the American Caucasian mainstream society, to seek the self-determination and the courage. On longitudinal looked that "Female Brave warrior", Maxine Hong Kingston quite takes a lot of care in the narrative structure arrangement, this book listens to the taciturnity paternal aunt's story start by “me”, to the heroic Hua Mu Lan's fantasy, to the mother brave blue respect, talked about is plundered by the Hsiungnu to yi place Cai Dan silenced several years later erupts, sings the aspiration is the conclusion suddenly finally. This is also precisely in the article “I” the growth course, promulgated the second generation of Chinese-American female to break through the traditional culture furiously vividly to their thought imprisonment and the fetter, really sought finally in two culture's collisions to, bravely melts the human to the American society's difficult process. "Female Brave warrior" in a book, broke through the former Chinese people/person of Chinese descent masculine autobiography tradition, take the first person feminine relator as the center, has portrayed the feminine image which crowd of dispositions vary, demonstrated Maxine Hong Kingston was inquiring about with reconstructs the Chinese feminine tradition aspect the endeavor. The nameless aunt, Hua Mu Lan, the mother brave orchid, in the mother's sister month orchid, the school silences the Chinese girl, Cai Dan and so on these females manifested the relator to be tenacious respectively, the rebel, frail, despaired and so on different disposition side, these females helped the relator to give vent to the reality to constrain the emotion, caused her to find has taken the position which an Asian female must base and can tranquilly or balanced facing the reality way. Therefore, "Female Brave warrior" in “I” am multiple I, has challenged in the traditional significance the autobiography narrative main body is an individual concept, through portrays the Chinese people/person of Chinese descent feminine image which these dispositions vary. Emotion link between the ancestors female's transforms into the traditional autobiography one kind “the relationship” the (relational) autobiography writing, the writing main body bases in the feminine community carries on the writing, but is not a seal, independent, has the intense female to speak the color.
翻译很累的，把分给我吧！