第1个回答 2006-04-21
Chinese director on the "heroic" and "Ambush from All Sides" is a resonance;
Feng Chiao is what I like Xinjingbao : I know that the past two years Zhang Yi-mo several films made in Korea have good box office and reputation, you can look at his film is? Jiangdi Lilongwe : Zhang Yi-mo is my very distinguished directors, many of his previous works are like me, I always feel that Zhang Yi-mo films can be a small story with a very ambitious scenes shown, in other words, his film on the performance of a broad content, and this is his advantage. But recent exhibition in Korea "heroes" and "Lovers" ( "Ambush from All Sides") I do not have sympathy, because I have not seen the power of humanity. Xin Jing Bao : China's media reported your interest and cooperation director Feng things, he is directing you like Chinese? Jiangdi Lilongwe : I was good friends and Feng director. We really discussed before things together, but his stay was too short, a film is always a then, we have not been more specific projects on the exchange, but I think he is able to produce good films Chinese director. Stephen is also a Chinese director I like his performance very special humorous way, I think. Film policy on the prosperity of a country does not depend on the director of the film can, which was facilitated Xinjingbao integrated conditions : the Jury met the press conference, you mentioned the success of the first film to be attributed to Korea policy support. Today's films can be said to have been Korean nationals recognized, then this policy is not formulated various nor the beginning so effective? Jiangdi Guyana : The protection policy is to "Taijiqipiaoyang" is a big production will not be effective, but there is a considerable proportion of Korean art film without film quota system, they will be opportunities in the film screened less, and they are precisely the essential part of the film industry. In addition to the film is also part of the national culture, the state has policies to protect film culture is not discussed, because you do not protect it does not exist. Now more than 200 countries around the world do not make a film, why? Because they are reported in the American film release. The state has no protection to abandon their film culture. Xinjingbao : Japanese film and film have been made in the context of the world's great glories. Now that South Korea and the film to international film industry as the focus of attention, you feel that this unit "Hanliu" how long it will last? Jiangdi Lilongwe : I really can not predict how long the film will pop, a country does not depend on the prosperity of the film can be directed. The success of the film industry are usually facilitated by the integrated conditions, it is often with political, financial, taxation, education, and many other related factors linked indispensable. You mentioned the Japanese film and film failed to sustain their brilliant, I think it is because American film condescending. Rely on a film company or a consortium is unlikely to catch up with the American film, only the entire society by all countries to develop their own film industry, we hope. On the "Hanliu" crisis of the Korean film is now affected by the impact of domestic regime turnover Xinjingbao : Do you think the Korean film has potential crisis? Jiangdi Lilongwe : Korea now has the film by the impact of domestic regime turnover. Korea Kim Dae-jung government in the era of film received special support to nurture his development of the Korean film developed many corresponding measures, such as the establishment of a film investment funds, etc., but this system is one for the five years;
Now five years later, also elected a new government, when should no longer continue to implement this policy, but in a state of paralysis. Xinjingbao : You mentioned the film quota system, as is well known, Korea director in collective launched the famous "zero movement" to promote the introduction of this system. If the film because of policy constraints, you will also take similar "unconventional" tough manner? Jiangdi Guyana : In the year of "negative campaign", I was the first one off first, because if the film environmental regime turnover, policy changes crisis, and we will certainly not hesitate to directors unite! Write / reporter Zhangwenbai
第2个回答 2006-04-23
Chinese director on the "heroic" and "Ambush from All Sides" is a resonance;
Feng Chiao is what I like Xinjingbao : I know that the past two years Zhang Yi-mo several films made in Korea have good box office and reputation, you can look at his film is? Jiangdi Lilongwe : Zhang Yi-mo is my very distinguished directors, many of his previous works are like me, I always feel that Zhang Yi-mo films can be a small story with a very ambitious scenes shown, in other words, his film on the performance of a broad content, and this is his advantage. But recent exhibition in Korea "heroes" and "Lovers" ( "Ambush from All Sides") I do not have sympathy, because I have not seen the power of humanity. Xin Jing Bao : China's media reported your interest and cooperation director Feng things, he is directing you like Chinese? Jiangdi Lilongwe : I was good friends and Feng director. We really discussed before things together, but his stay was too short, a film is always a then, we have not been more specific projects on the exchange, but I think he is able to produce good films Chinese director. Stephen is also a Chinese director I like his performance very special humorous way, I think. Film policy on the prosperity of a country does not depend on the director of the film can, which was facilitated Xinjingbao integrated conditions : the Jury met the press conference, you mentioned the success of the first film to be attributed to Korea policy support. Today's films can be said to have been Korean nationals recognized, then this policy is not formulated various nor the beginning so effective? Jiangdi Guyana : The protection policy is to "Taijiqipiaoyang" is a big production will not be effective, but there is a considerable proportion of Korean art film without film quota system, they will be opportunities in the film screened less, and they are precisely the essential part of the film industry. In addition to the film is also part of the national culture, the state has policies to protect film culture is not discussed, because you do not protect it does not exist. Now more than 200 countries around the world do not make a film, why? Because they are reported in the American film release. The state has no protection to abandon their film culture. Xinjingbao : Japanese film and film have been made in the context of the world's great glories. Now that South Korea and the film to international film industry as the focus of attention, you feel that this unit "Hanliu" how long it will last? Jiangdi Lilongwe : I really can not predict how long the film will pop, a country does not depend on the prosperity of the film can be directed. The success of the film industry are usually facilitated by the integrated conditions, it is often with political, financial, taxation, education, and many other related factors linked indispensable. You mentioned the Japanese film and film failed to sustain their brilliant, I think it is because American film condescending. Rely on a film company or a consortium is unlikely to catch up with the American film, only the entire society by all countries to develop their own film industry, we hope. On the "Hanliu" crisis of the Korean film is now affected by the impact of domestic regime turnover Xinjingbao : Do you think the Korean film has potential crisis? Jiangdi Lilongwe : Korea now has the film by the impact of domestic regime turnover. Korea Kim Dae-jung government in the era of film received special support to nurture his development of the Korean film developed many corresponding measures, such as the establishment of a film investment funds, etc., but this system is one for the five years;
Now five years later, also elected a new government, when should no longer continue to implement this policy, but in a state of paralysis. Xinjingbao : You mentioned the film quota system, as is well known, Korea director in collective launched the famous "zero movement" to promote the introduction of this system. If the film because of policy constraints, you will also take similar "unconventional" tough manner? Jiangdi Guyana : In the year of "negative campaign", I was the first one off first, because if the film environmental regime turnover, policy changes crisis, and we will certainly not hesitate to directors unite! Write / reporter Zhangwenbai
第3个回答 2006-04-23
As for China direct
《Hero 》and 《the ten noodleses ambush 》have total 鸣 not too;PING2 XIAO3 just week the star 驰 was also the new city report that I like:I know ZHANG YI4 to strive for this two years of how many films all obtained the quite good receipt of a film and public praise in Korea, is your movie to him to how to see?
Ginger 帝圭 :ZHANG YI4's strive for is the director that I respect very much, he before a lot of works I liked very much, I felt the movie that ZHANG YI4 strive for always can use the very great condition performance to a pimping story to come out, in other words, his the movie was a comprehensiveness to the performance dint of the contents very, this advantage that is he.However recent be shown in Korea of 《hero 》and 《lover 》 (《the ten noodleses ambush 》)I don't really have total 鸣 , because I could not see the strength of the human nature from it.
New city report:The medium report way of China affair that led you to have intention to director to just cooperate with PING2 XIAO3, is he the China director that you like?
Ginger 帝圭 :I am a quite good friend with director.We really talk over before to cooperate together of affair, but his schedule was too nervous, film always one by one, we haven't yet carried on more exchanges for the concrete item, he really is I think the Chinese director that can clap a good movie.Moreover week the star 驰 is also one inside country director that I like, the method of his performance humor is very special, is I am surprisingly.
Concerning movie policy
Movie in a nation of prosperous be not decided by to direct of then can, it is the new city report that the comprehensive condition help realize:The judge of the first some dayses the regiment news conference up, you have ever spoken of the support that the success of the Korean movie wants to be attributed to a policy first.The Korean movie of today can say that is already approve by citizen, so whether this various policies that draw up ago also has no a beginning so effectively or not?
Ginger 帝圭 :These protection policy really to 《too very the ensign flaunt 》such big creation can't effectively, but there is still the art film of[with] very great comparison in Korea, if have no movie quota system, they are shown in the cinema of opportunities' all woulding be little have to be many, but they are one part of the essential to haves exactly in the movies industry.
Moreover the movie is also the race a part of the culture, national the pedestal policy protection movie culture is need not discussion of, because you don't protect it nonentity.Now whole world more than 200 nations is what oneself shoot a movies, why?Because what to put is American movies all in line in their hospital.The nation protected, being equal to give up the movie culture of the our country.
New city report:The Japanese movie and movies in Hong Kong all have ever all obtained very great brilliancy within the scope of world.The Korean movie take now but it become the focus that the international filmdom focus attention, you feel this"HAN2 LIU2" would keep on how long?
Ginger 帝圭 :I can not predict the Korean movie can also be popular really how long, movie in a nation of prosperous be not decided by to direct of then can.The success of the movie industry usually is a comprehensive condition to help realize of, it usually follows politics,finance,revenue from tax,education...etc. a lot of related factors to contact together, lack a can't.The Japanese movie and movie in Hong Kong that you speak of canned keep on their brilliancy, I felt all of that am because of the American movie to be high at up.Depend on the perhaps a certain financial group of a certain movie company's chasing American movie is impossible, only the whole societieses launch owner to develop the movie industry of oneself's nations, just having a hope.
Concerning "HAN2 LIU2" crisis
The Korean movie of now is really substitute by local political power of influence new city report:Do you feel the Korean movie have a latent crisis currently?
Ginger 帝圭 :The Korean movie is really substitute by local political power now of influence.Korean movie at Kim Dae-jung government the ages was subjected to a special support, he for growing the development of the Korean movie to draw up much homologous measure, built up the movie investment funds etc. for example, but this system is five years a change;Passed by now for five years, also elected a new government, while should continue again to carry out this policy, but be placed in to paralyze of appearance.
New city report:You just spoke of the movie quota system, know to all, that year of director in Korea start"baldheaded sport" of the 著 collectively to push of this system set.If in the future Korean movie because of being subjected to the check and supervision of the policy, would you also adopt the tough way of similar"very rules"?
Ginger 帝圭 :In"baldheaded sport" in that year, I am the first to shave head bald, if the movie environment of Korea because the political power substitute,the variety of the policy but appear a crisis, our director will certainly proceed without hesitation a ground of incorporation together!
Adopt to write/this report reporter ZHANG WEN2 BO2
第4个回答 2006-04-25
中国(包括港澳台)当然是最多
此外韩国,日本,美国,加拿大,欧盟(未扩大时的十二国),泰国,马来西亚,印尼,新加坡,文莱,缅甸,阿根廷,巴西都有华侨社团(华社)
其中新加坡更是将华语列为官方语言之一